Showing posts with label Pointe. Show all posts
Showing posts with label Pointe. Show all posts

Wednesday, July 13, 2011

Lose Weight Safely - In Ballet Shoes and Pointe Shoes

Lose Weight Safely - In Ballet Shoes and Pointe Shoes
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Click here and find out how a would-be ballerina and men in ballet get exactly the right fit in ballet shoes and pointe shoes, prevent dance injuries, get The Perfect Pointe Book, The Ballet Bible, and details about classical ballet technique. Dianne M. Buxton trained at The National Ballet School of Canada, The Martha Graham School of Contemporary Dance and Toronto Dance Theater.

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Saturday, July 9, 2011

The Best Ballet Wear in Ballet Shoes and Pointe Shoes

The Best Ballet Wear in Ballet Shoes and Pointe Shoes

Traditional ballet teachers can seem fussy about the dress code in their studios. There is a reason for this.

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When a teacher is looking over a class in motion, visual clutter needs to be at a minimum. Black leotards and pink tights are a good uniform landscape for the teacher.

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The black of the leotard emphasizes the line of the posture, the upper back and neck suppleness/tension, the hip/leg break and alignment correctness, and makes it easiest to respond to what is seen with ongoing and detailed corrections.

For instance, it is easy to see, even across a large studio, if the back of the thigh is not pulled up as needed, if the dancer is wearing pink tights. The line of the muscles is hidden in dark tights. It is also easy to see bulky tension in thigh muscles that should be more elongated.

Distractions such as multi-colored clothing, and sloppy leg warmers prevent the teacher from being at their top efficiency,

Just like office folk get to wear more casual clothes to work on Fridays, my student-day classes were allowed to wear colored leotards and black tights on Saturdays. We pushed it, and came to class with bright leg warmers, print head bands and jewelry just bigger than the allowed tiny stud pierced earrings. We were always asked to remove the tiniest of neck chains.

Of course there were always cold winter days when sweaters and body-length woolies were necessary. And it's not like a teacher can't see plain bad placement through all that, but finer details are hidden.

The artistry of ballet depends on the ultra-perfectionistic and over-idealized form being sought, and then being surrendered to an allowing energy flow, that releases expression and drama.

I wish I could say that a better, but all I'm really talking about is that the norm for strict ballet wear that any ballet store provides, ultimately supports the best results for ballet exercises, ballet for weight loss, ballet strengthening regimens, pointe work et al, as it allows the teacher to see what's going on in a large class full of diverse talent.

http://farm5.static.flickr.com/4027/5126648173_40cdb51794.jpg The Best Ballet Wear in Ballet Shoes and Pointe Shoes

Dianne M. Buxton is a graduate of the National Ballet School of Canada. She taught at, and choreographed for The National Ballet School, York University, and George Brown College, in Canada, and taught at Harvard University in the U.S. Click here for ballet shoes, pointe shoes, strengthening exercises, dance news, dance books, ballet forum, diet and health for dancers, DVD's and more.

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Thursday, June 16, 2011

New Pointe Shoes - Breaking Them In

New Pointe Shoes - Breaking Them In

new shoes, because many people are not wearing the right size shoes are too small, without the room in the toe area that you need in order for toes to spread comfortably as the body weight shifts onto them.

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http://farm6.static.flickr.com/5307/5619579382_4c93c14599.jpg New Pointe Shoes - Breaking Them In

Don't get nervous about fitting pointe shoes. Make sure that you can demi plie in a small second position without your toes feeling crushed. Make sure that you can press up to demi pointe without the box/vamp area stopping you. Before you get to breaking them in, or sewing the ribbons on, let your ballet teacher check the fit. If you are not completely sure that you are ready, consider getting an expertly written ballet students' manual on new pointe shoes.

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Saturday, June 11, 2011

Use of the Theraband For Ballet Shoes and Pointe Shoes

Use of the Theraband For Ballet Shoes and Pointe Shoes
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So three things: get strong, get control, prevent shin splints and other dance injuries. Even with exactly the right fit in ballet pointe shoes, the shoes lend SUPPORT, the feet provide the CONTROL. There is a lot more information available to you including many ballet tips, to give you the extra advantage while dancing in pointe shoes.

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Saturday, May 28, 2011

How to Lace Your Ballet Pointe Shoes Properly

How to Lace Your Ballet Pointe Shoes Properly

Once you have the green light to begin ballet pointe work, and you've picked out your shoes, you'll have to sew the ribbons and elastics onto the shoes. You will also learn how to lace them properly.

You're going to need the ribbon and elastic, needle, thread, and scissors. The thread should be sturdy, and you can use unwaxed dental floss if you like. Sturdier thread means you only have to sew it one direction. Choose a needle with a large eye.

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The ribbon often comes as one long piece. To begin with just cut it in half. You will figure out later, when you tie the ribbons, exactly how long they should be.

The best way to determine ribbon placement is to fold down the back heel of the shoe. Some of the shoe material, about the length of your thumbnail, will look like it's still with the sole of the shoe, but that's okay. Fold the heel down into the shoe. Find the spot where the heel comes alongside the rear quarter panel, and that's where you'll fasten your ribbon. (If you had your shoe on, this would be where the highest part of the arch hits your foot.) Mark this spot, inside your shoe, with a light-colored marker or chalk.

The next step is to ensure the ribbon will not fray by sewing onto that spot and folding it under. Sew it in tiny stitches just near the top of the shoe, but take care not to sew into the vamp elastic. Try to keep your stitches invisible from the exterior of the shoe, and make your beginning and ending knots inside the shoe. Do the same on both sides of the shoe.

In order to sew your elastic into place, turn the heel of the shoe inside out so that it's easy to reach. Sew one end of the elastic into the heel, just slightly off center at the back of your foot. Do it the same way as the ribbon, with the edge turned under and using very tiny stitches. You don't want your stitching to show when you are performing ballet pointe on stage!

Once you've sewn that, put your foot into the shoe. To decide how much elastic you need to wrap around your ankle, flex your foot to about ninety degrees. Wrap the elastic very snugly, and then tuck it down into the back of your shoe. Mark it so you remember the spot once you take off the shoe. Then you'll sew it into the back of the shoe, again taking care to use tiny stitches and avoiding the vamp elastic.

To tie your ballet shoes, put your foot through the elastic, and insert your toes into your toe padding. Then put your foot the rest of the way into the shoe, and pull the back of the shoe up over your heel. Don't pull on the shoe by the elastic, because you'll wear out the elastic.

Pulling the ribbon across the front of your ankle, make sure you begin with the ribbon on the inside of your foot. Pull the other ribbon so that it crosses the first one exactly on the front. Then wrap the ribbons in two circles around the ankle, ending in the back above your heel. Tie them in a double knot, and tuck the knot into the encircling ribbon to hide it. Be careful that your knot does not lie against the ankle bone, otherwise it will rub! Hide the knot by tucking it under the ribbon.

As you're progressing through ballet pointe instruction, you need the guidance of your teacher-and it's also a good idea to find an internet website with lots of tips and tricks.

http://farm3.static.flickr.com/2670/4100188659_d075018447.jpg How to Lace Your Ballet Pointe Shoes Properly

Get safer, stronger and more beautiful ballet pointe by clicking here http://www.balletpointe.net

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Friday, July 30, 2010

Direct security to prevent injury in the shoes and Ballet Pointe Shoes.

If you like to stretch before class, some warm up is absolutely necessary. Some loose leg and arm swings, and easy bending forward and sideways is a good way to start. Deep breathing while you do this adds to the warm up.

If you feel stiff from sitting at a desk, or driving, walk on the spot for one minute. Lift your feet and pump your arms a little, this gets lots of muscle and joints moving.

Stretch very easily before class. You can get serious about it after the barre, or after the class.

The end of the class is an ideal time to stretch. If it is not possible because the next class is starting, and you cannot find another place in the studio to stretch, wear leg warmers home. Sometimes you'll feel warmed up for quite a while after class. You can stretch at home immediately or take a hot bath then stretch. Soaking with epsom salts or sea salt is healthy for the muscles. The minerals help draw the acids out of your tissues.

Active stretching is where you stretch your own muscles. If you're sitting in second position, you can hang over each leg, and then hang forward. Stretching over each leg is going to stretch your hamstrings, and all the muscles, ligaments and tendons around your pelvis and hips. You can lean out sideways keeping your torso stretched long to stretch the hip joint area. Then you can do a side bend over the same leg, and you'll feel the stretch in the hamstring and the opposite hip and side of your torso. If you're stretching to the right, be sure to keep the left hip on the floor, and the left leg stretched.

Deep breathing provides enough movement to apply pressure to the stretch, you do not need to bounce.

If you can reach your feet in a second position stretch, you can pull yourself over the leg, hold the position for a minute or more, easing back if you start to feel real pain.

Passive stretching is when someone else stretches you. Stretching with a partner is not recommended until you are very advanced. A physiotherapist can stretch you properly, but if you avoid injury, you won't need that.

Stretching causes discomfort. Before you get to the point of pain, you are already stretching. You don't need to push to the point where you see lights before your eyes. Stretch every day and be patient, and stretch safely. If you avoid injury to your soft tissues you will dance in ballet shoes and pointe shoes for many years.

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Friday, July 2, 2010

Ballet Pointe Shoes.

Beginning ballet students look forward to the day when they will advance to ballet pointe shoes. Ballet pointe shoes have an odd shape, but they allow ballet dancers to dance on the very tips of their toes. More advanced ballet dancing requires ballet pointe shoes.

Ballet pointe shoes should not be purchased at a discount store where you wait on yourself, or through the mail. After you have purchased your first pair, and you know exactly what you need, then you may consider ordering ballet pointe shoes through the mail or over the Internet - but that first pair should be fitted by an expert. Visit a shop that sells ballet pointe shoes, or ask your instructor for advice.

Arrive for your fitting prepared. What will you wear with your ballet pointe shoes? If stockings will be worn, make sure that you wear stockings for the fitting. It is very important that you try the shoes on in a way that will be identical to how the shoes will be worn. If padding at the point of the shoes will be used, make sure that you bring that padding with you to the fitting as well.

Purchase lightweight ballet pointe shoes. Lighter shoes make getting up on the tips of your toes easier. Price matters a great deal. Depending on how much ballet dancing you do, the type of surface you are dancing on, and the quality of the shoe, your ballet pointe shoes will need to be replaced often. However, do not sacrifice quality for price, and don't pay too much for shoes that will need to be replaced often.

When you find ballet pointe shoes that work well for you, buy several pairs of the same shoe at one time. In fact, buy as many pairs as you can afford, and save them for later use. You will want to continue to use the same type of pointe shoes when you find the one that works best for you - having those extra pairs will definitely come Useful!

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Wednesday, June 23, 2010

Breaking In Pointe Shoes - How to speed up the process.

In many ways, Pointe shoes epitomize ballet and performance arts. It's that pink satin shoe with the ribbons that conjure up visions of popular ballet standards and performing arts meccas. Whether you've just went on pointe or you've been performing for years, breaking in new point shoes can be painful work. In order to have a pleasant, blister free dancing experience you're going to have to break them in, forming the shoe to your feet so it can support your feet while you dance. While nothing takes place of natural form fitting over time, there are a few ways you can speed up the process.



Barre Work

Wearing your shoes can be on the best ways to break them in. That said, some movements and steps are more useful than others. To really break in those shoes get to the barre and start doing some work. Plies and releves are extremely useful as are knee bends followed directly by points. While you're doing this you want to focus on the movement of your foot and try to roll from heel to toe as often as possible, this will help break in various parts of the shoe.


Apply Moisture

Since the center of your shoe is made to soften as it comes in contact with moisture some dancer believe that this can be used to help soften the shoe. Apply some water to parts of your shoe that may present the most problems like the pinky and big toe area. Do this before you dance so that it forms to your feet while you dance. You can also use rubbing alcohol instead of water to achieve the same effect. Professional dancers advise against dipping the entire shoe into water to speed up the process.


Shoe Massage

Sound silly? Believe it or not, giving your shoe a little TLC in the form of a massage can help speed of the process. Starting with the tips of the shoe, rub and press on the shoe to soften the plaster like substance. Focus your time on the shank of the shoe as well as the sides. While this is a great technique, practice caution. Since the shoe is not on your foot you will be able to manipulate it in several ways you normally would not be able to. This can lead inexperienced dancers to break the arch of the shoe by bending it completely or over massage the box leading to a lack of support.


Ask Around

Not every pointe shoe is made the same way, therefore, some methods may work better than others for your particular pair. By asking experienced dancers, your instructor, or even the person who sold you the shoes, you may learn a technique that will work particularly well for your shoe or foot. These individuals will also be able to give you tips on what methods do not work.

The longer you dance the more personalized your pointe shoe break in routine will become. For dancers that have graced the stage for years, breaking in pointe shoes becomes another skill necessary for the job. Pay attention to what does and does not Work for you so you can stay in a strategy to reduce your personal needs.

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